L’incontro tra Justin e Tessa durante la conferenza da lui tenuta per giustificare scelte diplomatiche piuttosto discutibili è qualcosa di davvero folgorante: è l’amore che se ne frega degli schieramenti e delle ideologie, che abbatte le posizioni di partenza, che riesce a trasformare le diversità in pluralism. Tessa protests, political activist and passionate girl he meets protecting it from an audience that does not appreciate the frankness of those grievances. It 's a very short period of time, just enough to look into my eyes and sniff out a hidden body language of a common area of \u200b\u200bneed. It is in the collective dimension that occurs magic, the ability to transform notes stadium in chamber music. And 'love at first sight, love at first sight that leaves behind future misunderstandings. Common sense and mutual understanding must take a step back compared to the energy of attraction. The sudden marriage, pregnancy, labor, trip to Africa after her husband's diplomatic are the accessories that transform the everyday into something bigger. The following belongs to the novels of espionage, conspiracy theories of the big brother to a fight about money and power which will be involved in a multinational pharmaceutical company, the British government and a handful of unscrupulous individuals decided to do anything to encourage experimentation a harmful drug. A game played in the shadow of big corporations humanitarian, politically correct slogans of the Third World and the motivations of Tessa, a champion of the weak troverranno fertile soil and, unfortunately, a fate no future. But as often happens in natural cycles here means death and rebirth we dire riscoperta poiché il motivo del lutto e l’indagine per individuare i mandanti del delitto diventeranno per Justin l’occasione di conoscere veramente la persona che gli stava accanto e sulla quale, per un momento pur breve, aveva dubitato. Rivestito delle caratteristiche del film di genere, la fonte della storia è infatti l’omonimo libro dello scrittore John Le Carrè, The Constant Gardner è in realtà uno spaccato sull’ambivalenza delle relazioni umane una grande romanzo d’amore in cui la presenza assenza della persona amata, sottratta al protagonista ed a noi spettatori all’inizio del film e poi riproposta con una serie di flash back ed attraverso le azioni dell’inconsolabile marito, è il paradigm of the dialectic in which the emotional relationship with your loved one inevitably has to pass for its denial. Poised between the history of large numbers and an intimacy that fades in an outright romance The Constant Gardener is also an opportunity for its director, Fernando Meilleres (The city of God), to return to the geography of our forgetfulness, places necessary for the well being greedy the Western world. Painted from a photograph so hyper that enhancing the colors clean and bright emphasizes the vitality of a landscape ravaged but still viable, the film relies on the performance of two actors, Ralph Fiennes and Rachel Weisz, capable of giving credibility to the alchemy of the heart working subtraction and enhancing the value of the look. For this film, Weisz won the Oscar for Best Supporting Actress. Definitely deserved.
( dedicated to his friend Joachim, who left me a bit 'more' only )
0 comments:
Post a Comment