Saturday, October 30, 2010

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Sweets or sorcery?



Let's face it, Halloween here, creates a conflict of cosmic proportions.

Who believes this is a purely commercial transaction, imported from overseas just to shell out even the "right-thinking European" a good number of money and those who embrace the latter remnant of fun in the dark days of autumn passage, as momentary entertainment, backed by a good deal of what attraction that most frightens : the darkness, the imponderables, the horror.

I personally think that the host Halloween party in Italy is something so wrong and this for several reasons: first of all makes us much happiness ch children and, strange to say for the small increased in the city, test themselves willingly pumpkins and gourds in an attempt to create these faces quite terrifying. It often happens that by the advance of the famous pumpkin gutted then be able to prepare a healthy dinner for even the most reluctant to vegetables.
I also believe that many other business processes implying that the "holy days" that we ourselves exacerbated. We recall for example the feast of the Assumption, known as Ferragosto, often celebrated in each dwelling without there being any religious reference. In fact without it the celebration of this day would not exist at all.

There is also wonders if the reason for which this event have come so forcefully in the appreciation of so many fellow countrymen is not due to the fact that it is all in all nice party, even exciting at the begging of the famous "trick" quite a few claims because even after all just a sheet with a pair of holes at eye level to enter the party.

short, in any way think I wish you a fond ... good night of witches !

Credits: Martha Stewart

Wednesday, October 27, 2010

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LA GESTIONE DEI CONFLITTI di Marco Ferrini (Matsyavatara Das).

There are basically two categories of conflicts: conflicts intrapersonal and interpersonal conflicts. intrapersonal means internal to the individual, on person with itself, or rather, a different mental functions (1) between them. This conflict is one of the most frequent causes of the malaise in modern society, in addition, every problem creates intrapersonal interpersonal conflicts in a short time because when the person is not feeling well, live well, develops a tendency to project onto others the cause of its malaise. Superficially, it seems more convenient to blame others for their problems, but this, not only is not a solution to issues of conflict, but is aggravating because doing so extends the scope of suffering. The people close to those of vehicle negative emotions, in fact, are picked from the same malaise as dissatisfaction, restlessness, aggressiveness, nervousness and the like, are contagious. Conflict resolution must operate on two levels: the simplest and most immediate is out and is nell'aggiustare relationships with others. While the most difficult problems to solve are those with ourselves, which often do not know that we have, because we are created by attitudes almost always unconscious. The solution of these problems requires a serious inner work and discipline to follow, those who do not want to do this work ahead, to make a series of adjustments in your personality is, despite himself, forced to endure the forces of the unconscious and the consequences for mostly unknown, their samskaras or latent desires. We have immense strength to handle that first we need to know. You must be familiar, although theoretically, because the practice without knowledge is very risky. Prior to experience, vijnana, it jnana, knowledge, we need a theoretical framework to be able to act. You set a very dangerous relationship, marriage, society, activities, anything without having the necessary knowledge. Chances are that these relations will eventually prove unsuccessful. If the report is based on ego-driven, the problems remain. If they are focused on the upper level of the divine, God, every problem, should it arise, then it resolves. In terms of embodied being, on the other hand, the ego is the interface element, because there can be no ego relationship, but because the ego is strongly influenced by various constraints, paradoxically, in addition to being the object of report, also becomes the object of the conflict. Affinché la relazione funzioni senza conflittualità è necessario che i due soggetti siano teocentrici. I conflitti si destrutturano in presenza dell’amore. Un esempio molto elementare è dato dall’oscurità che si destruttura in presenza della luce; non è necessario lottare contro le ombre, basta illuminarle. Non dovete trasformarvi in novelli Don Chisciotte e lottare contro i mulini a vento, è sufficiente avere uno scopo positivo perché tutto ciò che è negativo si trasformi da solo.

(1) Per approfondire lo studio relativo alle funzioni psichiche secondo la Psicologia dello Yoga si consiglia la lettura del libro Pensiero, Azione e Destino di Marco Ferrini.

Tratto da 'Affinità Karmiche e Relazioni Familiari' di Marco Ferrini .

Sunday, October 24, 2010

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Calligraphy: an example of good education.

How resumed yesterday in the pages of the Corriere della Sera the illustrious Fulvio Scaparro , Professor of Psychology and Educational psychology, as well as my esteemed (and unforgettable) professor at the University at the time, we are celebrating the loss of long calligraphy or the "beautiful writing".
has nothing to do with this sad account of the fact that more and more media are used that take advantage of the pretty little flourishes of a phrase written in simple italics.
reflect as to what surprised today to receive a message I do not say well written, but just barely understand, read on a piece of paper actually tangible and not virtual, better still pleasant to the touch and valuable in the weave.
seems that this practice, now in the process of decay, may even be able to raise the proud author of a higher rank and socio-cultural, if only we stop to think back to the times of our grandmothers, we like sovverrebbe exercises were commonly used and calligraphy as well as educational institutions would lay great attention to the topic.
trifles? Maybe.
do not claim a certain message to the boss or in writing in gothic Onciale, but I agree with the professor that the use of a handwriting is clear and understandable but indispensable sign of education, kindness and care not only to the next, but first of all to ourselves, not to drop into oblivion those "sweaty cards" of ancient memory.

Saturday, October 23, 2010

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The videosaluto Marco Silvestri The crew



Undead The star of Men, Mark Silvestri, greets the audience during the presentation of the trailer of "night witches" in Rifreddo (CN)

Monday, October 18, 2010

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MAGIC OF CHRISTMAS!

Click here to enlarge

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Saturday, October 16, 2010

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From left Statella Daniele (director), Davide Celoria (DoP), Alessia Di Giovanni (director),

Tuesday, October 12, 2010

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Friday, October 22 at 21 Rifreddo (CN) there will be a meeting with directors of Undead men (Daniel Statella and Alessia Di Giovanni) as part of the event "The night of witches ".
We'll talk a bit 'of the movie we're working on and if you have nothing better to do might make us a jump so you know in person.

Sunday, October 10, 2010

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Here is our staff - our staff is STEADYCAM


Today we talk steadicam operator, Luke Shepherd.
Luke works with the ass. Creativecomics some time with us has made a documetario Diabolik up in collaboration with his friend Daniel Statella and how to draw some comics published by Ed.Saviolo.
Luca has worked 11 years as a cameraman for television, both in the studio and outside and has specialized in the U.S. as a steadicam operator with any broadcast camera, the RED film.
now works mainly with RAI and Mediaset.

Saturday, October 9, 2010

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- ASSEMBLY

At this time we are beginning the post-production and we started working on the assembled men of some scenes of Undead with our editor Matthew Santi, a young but already experienced he is doing a great job because the installation is a the most important things in the success of the film.
Matthew has studied Film Direction at the Academy of Bologna, specializing post production (editing and color correction), some of his works have been seen on Sky, Rai, Mediaset and the last Venice Film Festival. He recently directed a short film on domestic violence: "Do not hate me," screened at the Salento Finibus Terrae human rights.

Thursday, October 7, 2010

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Here is our staff - our staff is


In our film Undead while we faced some dangerous scenes for actors. On this occasion, we took advantage of the valuable contribution of a professional stuntmen who stand Marco Silvestri and instructed the actors on the correct movements. This is Luke Calegaro.
Luke took his first steps into the world of stunt doubles in 2006 due to martial arts, then moving on a variety of disciplines including driving, hiking, horseback riding, scuba diving and skydiving. He has worked as a stunt coordinator and as a number of films and shows in England, Switzerland, Germany and Italy.
He studied acting at the Drama School in Nottingham and has participated in several films in English and German as a actor.

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continue to present the technical team of men and today we talk about Undead Marzio Marzio Borrelli Borrelli


He began his work as a sound engineer and live audio video conferencing (resident engineer of the Chamber of Commerce of Milan), then decides to engineer to devote himself to cinema as a direct drive and post production.
currently working with diversi registi milanesi alla realizzazione di films, docufiction, video promozionali per mostre ("IT'S NOT ONLY ROCK N ROLL BABY", Triennale Bovisa) e spots aziendali. Si diploma come tecnico del suono al SAE Institute di Milano e frequenta corsi di programmazione su piattaforma MAX/MSP e corsi dedicati alla presa diretta e post produzione
Compositore di musica elettronica sperimentale.

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DECONDIZIONAMENTO, ARMONIA E BEATITUDINE di Marco Ferrini (Matsyavatara Dasa).

Uno dei problemi più gravi, impellenti e irrisolti che riguardano la nostra società è quello dell’isolamento, dell’abbandono, della solitudine. Affronteremo questo argomento alla luce della saggezza millenaria dei Veda che, lungi dall’essere patrimonio esclusivo dell’India, appartiene a tutta l’umanità, così come il sole non è né orientale né occidentale: è il sole. Molti ricorderanno gli studies of Jung's introvert and extrovert relation to the functions of the individual and the consequent breakdown of psychological types into two broad categories: introverted and extroverted. According to the Upanishads only the balance between introvert and extrovert functions makes people satisfied. For this reason, those born and was trained in the West should study in a careful this great ancient culture, can provide a wide horizon of meaning, which complements the vision of man and the world. In the Vedic perspective the sense of loneliness and isolation are explained as a lack of contextualization in the universe, and then as a disease to treat. The company's so-called wealthy and waste, with its tendency to accumulate, did not solve the problem of deep malaise, indeed, it has worsened. The tendency of Western average projected outside of himself to identify with the object, trying to enhance it. In this projection out the individual is lost, so, often with great difficulty and suffering, asks: "But I, who am I? What is my nature? What is the meaning of life? Where am I from? This is my first birth? What will happen to me after death? ". The philosophy of the Upanishads answers to questions like these. In "Life, Death and Immortality" Referring to various steps of the Vedic literature, I explained that all the dynamics before and after physical death. In the Rigveda, Brihadaranyaka in the Upanishads, the Bhagavad-Gita and the ancient narratives known as Purana, contains detailed information to explain what are the dynamics that govern and guide being in the dramatic moments where they exit from the body. The great fresco painted by the cosmological and cosmogonic Purana gives the possibility to any sincere seeker, to deepen their experience and knowledge, to contextualize their second coordinates of guna (1) and karma (2), knowing where it came from, whither ' is and where it is going. Acquisition of these data, much of the tension that grips the man weakens and serenity inherent in human nature, rises again, the joy and serenity springs of joy bliss, which is the ontological nature of the living. The opposite happens when the being is identified with the different "labels" or historical figures born after birth: "I am a woman. I'm young and beautiful. I am old. I'm old and sick. " In the latter case, the pain is felt as an experience of functions that are less than the mismatch of former lifestyle therefore resulting in a depression, which carries a profound psychological suffering. Generally people end their life segment, anguished, terrified and suffering, which certainly does not project into a better perspective. not my intention to scare anyone, but any individual with an open, sensitive to these issues, you will already have realized the existence of these problems and the importance of finding a solution. The sore point is that the company did not want to think about all this and removes it. People prefer to distract, numb, and at worst get drunk or take drugs in an attempt to escape the sad reality, they do not know how to deal with. The man is a be defective, but in its imperfection has a potential, sharing the nature of the supremely perfect, so you can consider at least potentially perfect. Once you have sensed the way, the human being has the ability to change and, what is paradoxical, full of conflict, become a peaceful person, gradually reducing the layers that it blunts, until you see the reality. Reality This was announced by the wise men from the West as well. Many of them belonged to the mystical traditions, religious, others were high through personal experience, but secular, but it is certain that everyone has talked about a dimension consists of immortality, awareness and bliss.

(1) The three energies that determine the conditioning of the embodied beings. They are: Tamas (ignorance), rajas (passion) and Sattva (virtue).
(2) Law of Cause and Effect which is based on the phenomenal universe, for which each share positive or negative, followed by a reaction of the same sign, which the author collects from life to life.

From the book 'Freedom from loneliness and suffering' Marco Ferrini.

Wednesday, October 6, 2010

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Ecco il nostro staff - EFFETTI VISIVI 1

Finora vi abbiamo presentato il cast artistico di Undead men. Oggi cominciamo a presentarvi lo staff tecnico.
Daniele Statella e Alessia Di Giovanni per realizzare questo progetto hanno coinvolto un nutrito staff di professionisti. Con alcuni avevano già collaborato in altri progetti , con altri invece hanno operato una selezione among those who had answered an ad and have been a pleasant surprise.
start from the end and that we present the Visual Effects and Stephen Nicholas Rebughini Venosta and the Magestic film.

say about "The Magestic film is a close-knit team of young and dynamic production, driven by a deep passion for film and visual effects with a single goal: to make his mark.
There are many ways to communicate something, but to impress is the best way to do that, "After working with several video clips are now at work on visual effects for men and Undead are creating something truly unique. Soon you will see him in some small preview of that frame on this post blog.

Sunday, October 3, 2010

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In volo!




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Friday, October 1, 2010

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Ecco il nostro cast ! - Barbara Forlai

Un'altra attrice di Undead men è Barbara Forlai.

Barbara è laureata in multimedialità arte musica e spettacolo, ha frequentato scuole di recitazione, di doppiaggio e laboratori di arte drammatica. Ho preso parte alla realizzazione di film in qualità di attrice e generica tra i quali "A che punto è la notte"di Nanny Loy, "L'uomo della fortuna" di Silvia Saraceno, "Winning" by Marco Bellocchio, "Cassandra's Mists 2," "The Monster of Florence" by Antonello Grimaldi.
He also played several short films including "The Other" by John Alessia, "St. Elsewhere" Alessia Di Giovanni and Daniele Statella, Carlo Lucarelli, a production creativecomics Coming soon aired on television. How
stage actress took part in "The Bridesmaid's Bard" director Cesare Goff and review "Put one evening at the theater" of the Teatro Stabile of Turin with the company directed by Maurizio Messana "Intermezzo love" of Cervantes, "The farce found" , "Goodbye Youth" per la regia di Mario Brusa .
Collabora poi con la compagnia teatrale di Margherita Fumero come attrice, cantante e ballerina e con la compagnia Tre Di Picche dalla stagione 2007 al 2008.
In Undead men ha interpretato una killer accanto ad Antonella Questa con la quale aveva già recitato nel corto "L'altra".